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    Tom 72 Nr 12 Zeszyt specjalny (2024)

    Zeszyt specjalny

    40 YEARS OF MUSICAL SIGNIFICATION PROJECT

    Imprint
    Table of Contents (English)

    Opublikowane: 2024-08-23

    Artykuły

    The Growing Field of Musical Signification: Origins, Major Contributions, and Current Relevance
    Cristina González Rojo   
    7-20
    DOI: https://doi.org/10.18290/rh247212sp.1

    pdf (English)

    Interpersonal Semiotics of Music after Several Decades
    Jarmila Doubravová   
    21-27
    DOI: https://doi.org/10.18290/rh247212sp.2

    pdf (English)

    Mapping Musical Dramaturgy: Towards a Theory of Rhetorical Performance
    Joan Grimalt   
    29-43
    DOI: https://doi.org/10.18290/rh247212sp.3

    pdf (English)

    On Subjectivity and Objectivity in the Semiotic Inquiry of Music
    Juha Ojala   
    45-57
    DOI: https://doi.org/10.18290/rh247212sp.4

    pdf (English)

    Filming the Notes: Audiovisual Strategies in Popular Music Composition and Production
    Dario Martinelli   
    59-68
    DOI: https://doi.org/10.18290/rh247212sp.5

    pdf (English)

    From Sacrifice to Telematic: On Music and Ritual
    Paulo C. Chagas   
    69-80
    DOI: https://doi.org/10.18290/rh247212sp.6

    pdf (English)

    Seeing the Sound, Hearing the Image, Dancing the Myth: Musicalness of the Midsummer Night Ritual in Some Polish Iconography of the Second Half of the 19th century
    Tomasz Rokosz   
    81-94
    DOI: https://doi.org/10.18290/rh247212sp.7

    pdf (English)

    The Role of Music in the Reinterpretations of the Mythical Story of Medea in the Light of Translation Theory
    Małgorzata Grajter   
    109-118
    DOI: https://doi.org/10.18290/rh247212sp.9

    pdf (English)

    Report on Music Composition and Visual Art Exhibitions: Ongoing Research
    Rodrigo Felicissimo   
    95-107
    DOI: https://doi.org/10.18290/rh247212sp.8

    pdf (English)

    Antiquities and Modernity: A Musicological Anamnesis of Antigone
    Daniel Röhe    Kharálampos Goyós   
    119-134
    DOI: https://doi.org/10.18290/rh247212sp.10

    pdf (English)

    The Rhymed Office of Blessed Czesław
    Dariusz Smolarek   
    135-151
    DOI: https://doi.org/10.18290/rh247212sp.11

    pdf (English)

    The Role of Texture in the Expression of Musical Emotion: The Menuet from Bach’s Partita no. 4 in D Major, BWV 828
    Robert Hatten   
    153-160
    DOI: https://doi.org/10.18290/rh247212sp.12

    pdf (English)

    Musical Rhetoric and Meanings in the Maundy Thursday Cantatas by G. H. Stölzel (1690–1749)
    Angelika Chęć   
    161-174
    DOI: https://doi.org/10.18290/rh247212sp.13

    pdf (English)

    Is There a Role for Moral Choice in a Mozart Piano Concerto?
    Panu Heimonen   
    175-188
    DOI: https://doi.org/10.18290/rh247212sp.14

    pdf (English)

    Balzac’s Views on Meaning of Music and in Music
    Małgorzata Gamrat   
    189-199
    DOI: https://doi.org/10.18290/rh247212sp.15

    pdf (English)

    Balakirev’s “The Lark”: Interpretation and Performance
    Julian Hellaby   
    201-215
    DOI: https://doi.org/10.18290/rh247212sp.16

    pdf (English)

    Exotic and Topical References in Gustav Mahler’s Das Lied von der Erde
    Oana Andreica   
    217-229
    DOI: https://doi.org/10.18290/rh247212sp.17

    pdf (English)

    Syncretic Strategies of Representation of Transcendence in Puccini’s “Nessun Dorma”
    Ricardo Nogueira de Castro Monteiro   
    231-247
    DOI: https://doi.org/10.18290/rh247212sp.18

    pdf (English)

    Krzysztof Penderecki: An Existential Semiotic Study of His Sonoristic Works and Cello and Orchestra Concerto No. 2
    Eero Tarasti   
    249-278
    DOI: https://doi.org/10.18290/rh247212sp.19

    pdf (English)


    Roczniki Humanistyczne · ISSN 0035-7707 | eISSN 2544-5200 | DOI: 10.18290/rh
    © Towarzystwo Naukowe KUL & Katolicki Uniwersytet Lubelski Jana Pawła II – Wydział Nauk Humanistycznych


    Artykuły w czasopiśmie dostępne są na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne – Bez utworów zależnych 4.0 Międzynarodowe (CC BY-NC-ND 4.0)