The present work is related to the epistemology of music signification, and the correlation with the compositions that brings in a narrative process: nature as its resemblance. In the structural narrative process music acquires signifiers that infer to a segment of the representative work related to the area of research in sonic naturalism (naturalism sonore). This essay will present separated works in non-hierarchy sequence. The idea is to communicate the chain of sign systems and its processes concerning the epistemology of music signification on the fine arts. The music creative process will guide us through this promenade by having music in service to the fine arts.
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Roczniki Humanistyczne · ISSN 0035-7707 | eISSN 2544-5200 | DOI: 10.18290/rh
© The Learned Society of the John Paul II Catholic University of Lublin & The John Paul II Catholic University of Lublin, Faculty of Humanities
Articles are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)