Roczniki Humanistyczne | Roczniki Humanistyczne

baner

Vol. 72 No. 12 Zeszyt specjalny (2024)

Special Issue

40 YEARS OF MUSICAL SIGNIFICATION PROJECT

Imprint (Język Polski)
Table of Contents

Published: 2024-08-23

Articles

The Growing Field of Musical Signification: Origins, Major Contributions, and Current Relevance

Cristina González Rojo

7-20

DOI: https://doi.org/10.18290/rh247212sp.1

pdf

Interpersonal Semiotics of Music after Several Decades

Jarmila Doubravová

21-27

DOI: https://doi.org/10.18290/rh247212sp.2

pdf

Mapping Musical Dramaturgy: Towards a Theory of Rhetorical Performance

Joan Grimalt

29-43

DOI: https://doi.org/10.18290/rh247212sp.3

pdf

On Subjectivity and Objectivity in the Semiotic Inquiry of Music

Juha Ojala

45-57

DOI: https://doi.org/10.18290/rh247212sp.4

pdf

Filming the Notes: Audiovisual Strategies in Popular Music Composition and Production

Dario Martinelli

59-68

DOI: https://doi.org/10.18290/rh247212sp.5

pdf

From Sacrifice to Telematic: On Music and Ritual

Paulo C. Chagas

69-80

DOI: https://doi.org/10.18290/rh247212sp.6

pdf

Seeing the Sound, Hearing the Image, Dancing the Myth: Musicalness of the Midsummer Night Ritual in Some Polish Iconography of the Second Half of the 19th century

Tomasz Rokosz

81-94

DOI: https://doi.org/10.18290/rh247212sp.7

pdf

The Role of Music in the Reinterpretations of the Mythical Story of Medea in the Light of Translation Theory

Małgorzata Grajter

109-118

DOI: https://doi.org/10.18290/rh247212sp.9

pdf

Report on Music Composition and Visual Art Exhibitions: Ongoing Research

Rodrigo Felicissimo

95-107

DOI: https://doi.org/10.18290/rh247212sp.8

pdf

Antiquities and Modernity: A Musicological Anamnesis of Antigone

Daniel Röhe Kharálampos Goyós

119-134

DOI: https://doi.org/10.18290/rh247212sp.10

pdf

The Rhymed Office of Blessed Czesław

Dariusz Smolarek

135-151

DOI: https://doi.org/10.18290/rh247212sp.11

pdf

The Role of Texture in the Expression of Musical Emotion: The Menuet from Bach’s Partita no. 4 in D Major, BWV 828

Robert Hatten

153-160

DOI: https://doi.org/10.18290/rh247212sp.12

pdf

Musical Rhetoric and Meanings in the Maundy Thursday Cantatas by G. H. Stölzel (1690–1749)

Angelika Chęć

161-174

DOI: https://doi.org/10.18290/rh247212sp.13

pdf

Is There a Role for Moral Choice in a Mozart Piano Concerto?

Panu Heimonen

175-188

DOI: https://doi.org/10.18290/rh247212sp.14

pdf

Balzac’s Views on Meaning of Music and in Music

Małgorzata Gamrat

189-199

DOI: https://doi.org/10.18290/rh247212sp.15

pdf

Balakirev’s “The Lark”: Interpretation and Performance

Julian Hellaby

201-215

DOI: https://doi.org/10.18290/rh247212sp.16

pdf

Exotic and Topical References in Gustav Mahler’s Das Lied von der Erde

Oana Andreica

217-229

DOI: https://doi.org/10.18290/rh247212sp.17

pdf

Syncretic Strategies of Representation of Transcendence in Puccini’s “Nessun Dorma”

Ricardo Nogueira de Castro Monteiro

231-247

DOI: https://doi.org/10.18290/rh247212sp.18

pdf

Krzysztof Penderecki: An Existential Semiotic Study of His Sonoristic Works and Cello and Orchestra Concerto No. 2

Eero Tarasti

249-278

DOI: https://doi.org/10.18290/rh247212sp.19

pdf

Roczniki Humanistyczne · ISSN 0035-7707 | eISSN 2544-5200 | DOI: 10.18290/rh
© The Learned Society of the John Paul II Catholic University of Lublin & The John Paul II Catholic University of Lublin, Faculty of Humanities

Articles are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)