Music Arranged and Deranged: An Introduction

The Political Implications of „Deranging”: Subverting Caesar in Spanish Naples, Cesare in Alessandria (1699)

From the Opera Stage to the Church: Castrati Arias in the Collection of Cistercians in Silesia

Mortier de Fontaine, Handel, and the Dynamics of Historical Representation in the Age of the Virtuoso

Mozart Opera Beyond the Romantic Arrangement

Time, Place, Tradition: Authorizing Musical Adaptation in the Long Nineteenth Century

Čiurlionis in Leipzig: Adaptations and Arrangements

Reinterpretations of Pie Jesu as Exemplified by Compositions for Baritone and Organ by Eugène Diaz and Carlotta Ferrari

Purity and Madness, or the Folly of Follia: Corelli’s op. 5 no. 12 as Psychodrama

From the Contexts of Fryderyk Chopin’s Reception. The Italian Pianistic Panorama of the 19th Century

L’Hirondelle Inattendue by Szymon Laks: From the Genesis to the Message of the Opera

Lagrime di San Pietro by Orlando di Lasso in Peter Sellar’s Staging: Transformations of Meaning in the Face of Secularization and the Hegemony of the Sense of Sight

From Opera to Theatre: Peter Brook’s Lyric Reconfigurations at the Bouffes du Nord (1981–2010)

Deranging Schubert’s Winterreise: An Experiment in Repertoire Diversification

Music, Aesthetics, and Nostalgia: Ideological Appropriations of Digital Audiovisual Trends

Practice versus Theory in the Treatise “Abhandlung über die Komposition” by Gottfried Heinrich Stölzel

Folk Reception of Passion Services in Selected Parishes of Southeastern Poland

Jewish Music on Polish Radio in the Second Polish Republic: A Galician Perspective

Rhetorical Expressions in Banyuwangi Folk Songs as a Reflection of Osing Cultural Identity

The Cultural Content of Musical Arrangements at the Turn of the 18th and 19th Centuries

(rev.: Nancy November. The Age of Musical Arrangements in Europe, 1780-1830)

The Forgotten Comic Operas of Józef Elsner

(rev.: Jakub Chachulski. Józef Elsner and the World of 18th-Century Comic Opera [Józef Elsner i świat osiemnastowiecznej opery komicznej])

Between Canon and Oblivion: On the Compositional Young Poland

(rev.: Marcin Gmys. In the Shadow of Chopin, Karłowicz, and Szymanowski: Essays and Studies on Music from the Young Poland Era [W cieniu Chopina, Karłowicza i Szymanowskiego. Szkice i studia o muzyce z czasów Młodej Polski])

Memory in the Service of (New) Musicology

(rev.: Karolina Golinowska i Ewa Schreiber. Transformations of Memory, Transformations of the Canon: Histories of Music in the Context of Contemporary Discourses [Przeobrażenia pamięci, przeobrażenia kanonu. Historie muzyki w kręgu współczesnych dyskursów])

Women’s Religious Music – A Cultural Relic or a Form of Soft Power?

(rev.: Jessica Roda. For Women and Girls Only: Reshaping Jewish Orthodoxy Through the Arts in the Digital Age)