Broesike-Schoen, Max. “Die moderne Klavierauszug.” Die Musikwelt, September 15, 1922, 1–2. Christensen, Thomas. “Four-Hand Piano Transcription and Geographies of Nineteenth-Century Musical Reception.” Journal of the American Musicological Society 52 (1999): 255–98.
DOI: https://doi.org/10.2307/831999
Christensen, Thomas. “Public Music in Private Spaces: Piano-Vocal Scores and the Domestication of Opera.” In Music and the Cultures of Print, edited by Kate van Orden, 67–93, Garland Reference Library of the Humanities 2027. New York: Garland Publishing, 2000.
Everist, Mark. “‘Un caractère tout à fait classique’: Parisian Practices of Arrangement and the Dome-stic Debt to the Past.” In Amateur Musicians in the Nineteenth Century: Markets, Practices, and Identities, edited by Nancy November and Imogen Morris. London: Bloomsbury, forthcoming.
Everist, Mark. “JUPITER: List of Arrangements.” Mark Everist: The Website. https://everist.eu/in-terventions/data/jupiter-list-of-works.
Everist, Mark. “JUPITER: Reading the ‘Viennese Classics’ in Nineteenth-Century Britain.” The Musical Quarterly 106, nos. 3–4 (2023): 248–72.
DOI: https://doi.org/10.1093/musqtl/gdad007
Fischer, Wilhelm. “Die Klaviertrio-Fassungen des Septetts und der Zweiten Symphonie.” Österreichi-sche Musikzeitschrift 7 (1952): 88–91.
DOI: https://doi.org/10.7767/omz.1952.7.jg.88
Heckl, Peter. “W. A. Mozarts Instrumentalkompositionen in Bearbeitungen für Harmoniemusik vor 1840.” PhD diss., Universität für Musik und darstellungen Kunst Graz, 2011. Published under the same name, 4 vols, Studien und Materialien zur Musikwissenschaft 81. Hildesheim: Olms, 2011. King, Alec Hyatt. Mozart in Retrospect: Studies in Criticism and Bibliography. London: Geoffrey Cumberledge; Oxford: Oxford University Press, 1955.
Kregor, Jonathan. Liszt as Transcriber. Cambridge: Cambridge University Press, 2010.
Kurth, Sabine. “Beethovens Streichquintette”. PhD diss., Ludwig-Maximilians-Universität München, 1994. Published under the same title, Studien zur Musik 14. Munich: Fink, 1996.
Landon, H. C. Robbins. Haydn: Chronicle and Works: The Late Years: 1801–1809. London: Thames and Hudson, 1994. Originally published 1977.
Laubhold, Lars E. “Zeittafel und chronologisches Werkverzeichnis.” In Edouard Steuermann, “Musiker und Virtuose:” Symposiumsbericht, edited by Lars E. Laubhold, 494–502. Munich: edition text + kritik, 2022.
DOI: https://doi.org/10.5771/9783967075731-494
Marggraf, Wolfgang. “Eine Klaviertrio-Bearbeitung des Vallée d’Obermann aux Liszts Spätzeit.” Studia Musicologica Academiae Scientiarum Hungaricae 28 (1986): 295–302.
DOI: https://doi.org/10.2307/902428
November, Nancy. Beethoven’s Symphonies arranged for the Chamber: Sociability, Reception and Canon Formation. Cambridge: Cambridge University Press, 2021.
DOI: https://doi.org/10.1017/9781108924207
November, Nancy. The Age of Musical Arrangements in Europe, 1780–1830, Elements in Music and Musicians 1750–1850. Cambridge: Cambridge University Press, 2023.
DOI: https://doi.org/10.1017/9781108942584
Plath, Wolfgang, and Wolfgang Rehm, eds. Wolfgang Amadeus Mozart: Don Giovanni. Kassel: Bären-reiter, 1968. NMA II/5/17. 4th printing, 2014.
Schönberg, Arnold. “Contribution to ‘Die moderne Klavierauszug’.” Die Musik 16 (November 1923): 96–97. Published in Style and Idea, translated by Leo Black, edited by Leonard Stein, 348–50. London: Williams and Northgate, 1951. Later edition by Faber and Faber, 1975.
Struck, Michael. “Main and Shadowy Existence(s): Works and Arrangements in the Œuvre of Johannes Brahms.” In Brahms in the Home and the Concert Hall: Between Private and Public Performance, edited by Katy Hamilton, 110–36. Cambridge: Cambridge University Press, 2014.
DOI: https://doi.org/10.1017/CBO9781107337404.006
Thormählen, Wiebke. “Playing with Art: Musical Arrangements as Educational Tools in van Swieten’s Vienna.” Journal of Musicology 27 (2010): 342–76.
DOI: https://doi.org/10.1525/jm.2010.27.3.342
World Intellectual Property Organisation. “Summary of the Berne Convention for the Protection of Literary and Artistic Works (1886).” https://www.wipo.int/treaties/en/ip/berne/summary_berne. html#:~:text=The%20Berne%20Convention%20deals%20with,to%20make%20use%20of%20them.
Zenck, Martin, Volker Rülke, and Gwendolin Koch, eds. Kontroverse Wege der Moderne: der exilierte Komponist und Pianist Eduard Steuermann in seinen Briefen (Korrespondenz mit Arnold Schönberg, Theodor W. Adorno und René Leibowitz). Munich: edition text + kritik, 2022.
DOI: https://doi.org/10.5771/9783967071856
Zenck, Martin. “‘… das “Wirre” ist ja nicht ungewollt…’. Zum zweiten Streichquartett Diary (1960/61) in den Uraufführungen mit dem Juilliard String Quartet 1963 in New York.” In Edouard Steuer-mann, “Musiker und Virtuose:” Symposiumsbericht, edited by Lars E. Laubhold, 463–89. Munich: edition text + kritik, 2022.
DOI: https://doi.org/10.5771/9783967075731-463