Rhetorical Expressions in Banyuwangi Folk Songs as a Reflection of Osing Cultural Identity

Imam Suyitno; Ary Fawzi; Dwi Sulistyorini; Heni Dwi Arista

doi:10.18290/rh257312.19

Data publikacji : 2026-01-14

Tom 73 Nr 12 (2025)

Wyrażenia retoryczne w pieśniach ludowych z Banyuwangi: odzwierciedlenie tożsamości kulturowej ludu Osing

Imam Suyitno

https://orcid.org/0000-0001-7733-3637

Ary Fawzi

https://orcid.org/0000-0001-9617-1258

Dwi Sulistyorini

https://orcid.org/0009-0005-7267-1609

Heni Dwi Arista

https://orcid.org/0000-0003-3840-8581

DOI: https://doi.org/10.18290/rh257312.19

Abstrakt

W niniejszym badaniu przeanalizowano wyrażenia retoryczne w pieśniach ludowych z Banyuwangi jako odzwierciedlenie tożsamości kulturowej Osing. W badaniach zastosowano jakościowe podejście deskryptywne z paradygmatem interpretacyjnym. Dane zebrano poprzez analizę dokumentów, wywiady i obserwacje. W wyniku przeprowadzonych badań wykazano, że w tekstach starszych pieśni codzienne życie, heroizm i wartości moralne ludu Osing przedstawiano za pomocą języka retorycznego i figuratywnego, podczas gdy w nowszych pieśniach autorzy posługują się językiem bezpośrednim i potocznym, podejmując tematy związane z miłością, zawodem miłosnym i problemami społecznymi, przy jednoczesnym utrwalaniu obowiązujących norm. Styl retoryczny obejmuje metafory i wielowarstwowe środki wyrazu, służące przekazaniu dumy kulturowej, krytyki społecznej i emocji. Pieśni ludowe z Banyuwangi wykorzystują strategie retoryczne, takie jak symbolika i alegoria, aby zachować tożsamość kulturową, wartości i odniesienia społeczne ludu Osing poprzez wyrażenia zarówno bezpośrednie, jak i pośrednie. Badanie uwidacznia zmiany pokoleniowe, kontrastując tradycyjną mowę zależną, która sprzyja harmonii, z językiem bezpośrednim preferowanym przez młodsze pokolenia. Opisana ewolucja form retorycznych odzwierciedla napięcie pomiędzy potrzebą zachowania dziedzictwa kulturowego, a kwestią adaptacji w obliczu współczesnych wpływów.

Słowa kluczowe:

pieśni ludowe Banyuwangi, stara pieśń, nowa pieśń, ekspresja retoryczna, tożsamość kulturowa, lud Osing, mowa niezależna, mowa zależna, zmiany pokoleniowe, zachowanie kultury

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Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne – Bez utworów zależnych 4.0 Międzynarodowe.

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