Published : 2026-01-14

Rhetorical Expressions in Banyuwangi Folk Songs as a Reflection of Osing Cultural Identity

Abstract

This study examined rhetorical expressions in Banyuwangi’s folk songs as reflections of Osing cultural identity. The study used a qualitative descriptive approach with an interpretive paradigm. Data were collected through document studies, interviews, and observations. Findings revealed that older song lyrics use rhetorical and figurative language to depict Osing’s daily life, heroism, and moral values. Meanwhile, newer songs employ direct and colloquial language to discuss romance, heartbreak, and social issues while reinforcing norms. The rhetorical style includes metaphors and layered expressions to convey cultural pride, social critiques, and emotions. Banyuwangi folk songs use rhetorical strategies, such as symbolism and allegory, to preserve Osing cultural identity, values, and social commentary through direct and indirect expressions. The study highlights generational shifts, contrasting traditional indirect speech, which fosters harmony, with the direct language favored by younger generations. This evolution in rhetorical forms reflects the tension between cultural preservation and adaptation in response to modern influences.

Keywords:

Banyuwangi folk songs, old song, new song, rhetorical expressions, cultural identity, Osing people, direct speech, indirect speech, generational shifts, cultural preservation



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Roczniki Humanistyczne · ISSN 0035-7707 | eISSN 2544-5200 | DOI: 10.18290/rh
© The Learned Society of the John Paul II Catholic University of Lublin & The John Paul II Catholic University of Lublin, Faculty of Humanities

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