Report on Music Composition and Visual Art Exhibitions: Ongoing Research

Rodrigo Felicissimo

doi:10.18290/rh247212sp.8

Data publikacji : 2024-08-23

Tom 72 Nr 12 Zeszyt specjalny (2024)

Report on Music Composition and Visual Art Exhibitions: Ongoing Research

Rodrigo Felicissimo

https://orcid.org/0000-0002-5260-3976

DOI: https://doi.org/10.18290/rh247212sp.8

Abstrakt

The present work is related to the epistemology of music signification, and the correlation with the compositions that brings in a narrative process: nature as its resemblance. In the structural narrative process music acquires signifiers that infer to a segment of the representative work related to the area of research in sonic naturalism (naturalism sonore). This essay will present separated works in non-hierarchy sequence. The idea is to communicate the chain of sign systems and its processes concerning the epistemology of music signification on the fine arts. The music creative process will guide us through this promenade by having music in service to the fine arts.

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Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne – Bez utworów zależnych 4.0 Międzynarodowe.

Bibliografia

Chagas, Paulo C. 2014. Unsayable Music. Six Reflections on Musical Semiotics, Electroacoustic and Digital Music. Leuven: Leuven University Press.

Chagas, Paulo C. 2022. “Imaginações sonoras, imersão audiovisual telemática.” In Escrita, som e imagem: natureza em foco, vol. 3, edited by Camila A. P. de Figueiredo, Cecília Nazaré de Lima, Eliana de Lima Reis, and Thais Flores Nogueira Diniz, 65–86. Belo Horizonte: Fino Traço.

Felicissimo, Rodrigo. 2022. “Uirapuru: The Legendary Enchanted Bird by Heitor Villa-Lobos. An Aesthetic Confrontation Along Stravinsky’s Firebird and Sibelius’s Tapiola.” In Music as Cultural Heritage and Novelty, Numanities – Arts and Humanities in Progress 24, edited by Oana Andreica, 393–422. Cham: Springer Nature.

Felicissimo, Rodrigo. 2023. “In the Quest of Compositional Matrices for Music Themes Concerning Landscape: Exploring Senses as Means for Creative Processes. Villa-Lobos and his Existential Signs.” In Transcending Signs Essays in Existential Semiotics, edited by Eero Tarasti, 919–39. Berlin: De Gruyter Mouton.

Grabócz, Márta. 2020. Modèles Naturels et Scénarios Imaginaires. Dans les ceuvres de Peter Eötvös, François-Bernard Mâche et Jean-Claude Risset. Paris: Collections du GREAM Herman Éditeurs.

Hatten, Robert S. 2004. Interpreting Musical Gestures, Topics, and Tropes. Mozart, Beethoven, Schubert. Bloomington, IN: Indiana University Press.

Stallings, Tyler. 2014. Aridtopia. Essays on Art & Culture from Deserts in the Southwest United States. Riverside: California Blue West Books.

Stallings, Tyler. Spirit Mountain Text_08.docx. Last printed June 3, 2024. Unpublished text, 2022.

Tarasti, Eero. 2015. Sein und Schein – Explorations in Existential Semiotics. Berlin: Walter de Gruyter GmbH.