From Sacrifice to Telematic: On Music and Ritual

Paulo C. Chagas

doi:10.18290/rh247212sp.6

Data publikacji : 2024-08-23

Tom 72 Nr 12 Zeszyt specjalny (2024)

From Sacrifice to Telematic: On Music and Ritual

Paulo C. Chagas

https://orcid.org/0000-0003-1706-5508

DOI: https://doi.org/10.18290/rh247212sp.6

Abstrakt

This paper explores diverse perspectives on the relationship between music and ritual. It begins by addressing Han’s intriguing question regarding the disappearance of rituals in the data-driven neoliberal era. Subsequently, it examines Attali’s model of symbolic categories, tracing the evolution of music from primitive society’s rituals to modern digital expressions. Further, it investigates Benjamin’s views on art’s transformation through mechanical reproduction and Flusser’s concept of telematic dialogue in contemporary creativity. It is underscored that listening transcends mere solitude; it’s a ritualistic engagement ingrained in our collective human experience. Music, as a medium of resonance and harmony, has the power to combat the decline of traditional rituals and foster an ethics of beautiful forms, transcending the isolating noise of compulsive communication in contemporary society. The paper concludes by asserting that reinterpreting ritual values through music enhances our understanding of art and offers avenues to combat self-centered tendencies fostered by neoliberalism.

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Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne – Bez utworów zależnych 4.0 Międzynarodowe.

Bibliografia

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Cage, John. 1961. Silence: Lectures and Writings. Middletown: Wesleyan University Press.

Chafe, Chris. 2021. “The Qualities and Flow of Imagined Sound and Music.” In Sounds from Within: Phenomenology and Practice, edited by Paulo C. Chagas and Cecilia Wu, 57–73. Cham: Springer Nature.

Chagas, Paulo C. 2014. “Creativity with Apparatuses: From Chamber Music to Telematic Dialog.” Flusser Studies 17:2–15. www.flusserstudies.net/sites/www.flusserstudies.net/files/media /attachments/paulo-chagas-creativity-with-apparatuses.pdf.

Chagas, Paulo C. 2021. “Sound, Truth, and Paradigm.” In Sounds from Within: Phenomenology and Practice, edited by Paulo C. Chagas and Cecilia Wu, 1–28. Cham: Springer Nature.

Flusser, Vilém. 2011. Into the Universe of Technical Images. Translated by Nancy Ann Roth. Minneapolis: University of Minnesota Press.

Han, Byung-Chul. 2019. Vom Verschwinden der Rituale: Eine Topologie der Gegenwart. Berlin: Ullstein.

Han, Byung-Chul. 2021. Infokratie: Digitalisierung und die Krise der Demokratie. Berlin: Mattes & Seitz.

Heidegger, Martin. 1977. “The Question Concerning Technology.” In The Question Concerning Technology and Other Essays, translated by William Lovitt, 3–35. New York: Harper & Row.

Lévi-Strauss, Claude. 1969. The Raw and the Cooked: Introduction to a Science of Mythology. Vol. 1. Translated by John and Doreen Weightman. New York: Harper & Row.

Nancy, Jean-Luc. 2002. À l’écoute. Paris: Galilé.

Tarasti, Eero. 1979. Myth and Music. A Semiotic Approach to the Aesthetics of Myth in Music, Especially that of Wagner, Sibelius and Stravinsky. The Hague: Mouton.