“A Cropped Silhouette, Neither Mammal Nor Avian”: Liminality and Becoming in Sarah Hall’s “M”

Laura Torres Zúñiga

doi:10.18290/rh247211.8

Data publikacji : 2024-12-23

Tom 72 Nr 11 (2024)

„Przycięta sylwetka, ani ssak ani ptak”: Liminalność i stawanie się w opowiadaniu „M” Sarah Hall

Laura Torres Zúñiga

https://orcid.org/0000-0001-8434-2021

DOI: https://doi.org/10.18290/rh247211.8

Abstrakt

Choć angielska pisarka Sarah Hall znana jest głównie ze swoich powieści o kumbryjskim pograniczu Anglii i Szkocji, artykuł bada poruszaną przez nią kwestię granic nie tylko w kontekście przestrzennym, ale i w kontekście procesów zachodzących podczas kształtowania się tożsamości, w których granice są wznoszone, naruszane lub niszczone. Opowiadanie „M” z ostatniego zbioru opowiadań Hall zatytułowanego Sudden Traveller (2019) ukazuje w jaki sposób cechy fikcji pisarki, takie jak reprezentowanie „wewnętrznej sprzeczności budzącej wstręt siły” tkwiącej u podstaw ludzkiego zachowania oraz „różnorodności kobiecego i cielesnego doświadczenia”, znajdują odzwierciedlenie w artykulacji stanów granicznych oraz zacieraniu lub naruszaniu granic geograficznych, cielesnych i symbolicznych. „M”, podobnie jak wcześniejsze opowiadania Hall zatytułowane „Bees” i „Mr. Fox”, problematyzuje konstrukcję kobiecej podmiotowości i przekraczania granic między tym co ludzkie a zwierzęce.

Słowa kluczowe:

Sara Hall, opowiadanie, liminalność, stawanie się, tożsamość ucieleśniona, abiekcja

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Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne – Bez utworów zależnych 4.0 Międzynarodowe.

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