The article investigates Marilynne Robinson’s debut novel Housekeeping in an attempt to uncover the origin of the book’s melancholy. Following Sigmund Freud’s insight about the lost object of love and combining Abraham and Torok’s and Kristeva’s writings on melancholy, the text argues that the Foster women’s overwhelming melancholy may be attributed to three factors: the grandfather’s death, creating the rupture in the symbolic order; the grandmother’s unperformed mourning, which failed to mend that rupture; and the house’s progressing decay—a constant reminder of the gap between the semiotic and the symbolic.
Cited by / Share
Licence
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Roczniki Humanistyczne · ISSN 0035-7707 | eISSN 2544-5200 | DOI: 10.18290/rh
© The Learned Society of the John Paul II Catholic University of Lublin & The John Paul II Catholic University of Lublin, Faculty of Humanities
Articles are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)