Published : 2025-08-04

“And the Window Was Like a Distance Signal.” On the Window Motif in Selected Autobiographical Works by Hanns-Josef Ortheil

Abstract

The aim of the article is to analyze Hanns-Josef Ortheil’s selected autobiographical works and determine the function of the window motif featured in them. Special importance is attached to the bay window in the Cologne apartment of Ortheil’s parents. The window marked a boundary in his child’s perception of the outside world: between here and there, between the safe zone of the domestic space and the uncertainty of the threatening space outside. But on the other hand the window opened the space of the parents’ apartment. The window made it possible to overcome the isolation and become familiar with the extra-familial reality. While the author’s previous publications often focus on the closed window, perceived from the perspective of the room, the autobiographical novel Ombra (2021) also refers to the open window and the window seen from the outside. Thus, the boundary marked by the window is crossed not only in the act of its opening, but also through a changed perspective.

Keywords:

Hanns-Josef Ortheil, window, autobiographical work, function, isolation, family



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Roczniki Humanistyczne · ISSN 0035-7707 | eISSN 2544-5200 | DOI: 10.18290/rh
© The Learned Society of the John Paul II Catholic University of Lublin & The John Paul II Catholic University of Lublin, Faculty of Humanities

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