An attempt to extract from Cyprian Norwid’s work a group of texts, drawings and mixed forms that deal with a subject of caricatures of Polish noblemen, who have some Chinese traits and who treat arts nonchalantly. Looking for the sources of this Chinese-Sarmatian mixture, the author confronts previous interpretations (Chlebowska, Dambek, Jeżewski) with a broader press and iconographical context in order to throw some new light on Norwid’s contacts with the Chinese culture.
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Studia Norwidiana · ISSN 0860-0562 | eISSN 2544-4433 · DOI: 10.18290/sn
© Towarzystwo Naukowe KUL & Katolicki Uniwersytet Lubelski Jana Pawła II
Articles are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)