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    Published : 2023-03-31
    Vol. 71 No. 1 (2023)

    Art and Transcendence in Karol Tarnowski’s Aesthetic and Religious Reflection

    Andrzej Krawiec

    https://orcid.org/0000-0002-3230-2201

    DOI: https://doi.org/10.18290/rf23711.14

    Abstract

    In Polish philosophical aesthetics Karol Tarnowski’s considerations about art reflect transformations that occurred in phenomenology — particularly French — in the second half of the 20th century. Religious thinking combined with the scholastic tradition and the classical doctrine of transcendentals turn out to be similar in many aspects, but still not identical with Jean-Luc Marion’s phenomenology of givenness and Michel Henry’s nonintentional phenomenology of invisible life. The aesthetic views of Karol Tarnowski, an outstanding philosopher of religion and pianist himself, can be found in scattered texts whose main subject matter is not always art. This is why the article aims at a synthetic presentation of this particular reflection in the context of current debates around phenomenology.

    Keywords:

    aesthetics, phenomenology, metaphysical longing, religion, art, mystery, Transcendence



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    Roczniki Filozoficzne · ISSN 0035-7685 | eISSN 2450-002X
    © Towarzystwo Naukowe KUL & Katolicki Uniwersytet Lubelski Jana Pawła II


    Articles are licensed under a Creative Commons  Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)