Unravelling the Interplay between Materials, Senses and Perception in Magdalena Abakanowicz’s Weaving Art

Sandra Katarzyna Imko

doi:10.18290/rkult24151.4

Published : 2024-03-29

Vol. 15 No. 1 (2024)

Unravelling the Interplay between Materials, Senses and Perception in Magdalena Abakanowicz’s Weaving Art

Sandra Katarzyna Imko

https://orcid.org/0009-0009-9105-4154

DOI: https://doi.org/10.18290/rkult24151.4

Abstract

This article comprehensively studies the multisensual experience in Magdalena Abakanowicz’s weaving art. While previous research in this context has focused on the erotic nature of her works, this study addresses the broader aspect of multisensual engagement. Drawing on a phenomenological approach and the philosophical contributions of Maurice Merleau-Ponty, it explores Abakanowicz’s involvement in creative and exhibition practices. The research incorporates insights from scholars such as Richard Shusterman, Mark Paterson and art historians. Using art historical analysis and direct haptic contact with Abakanowicz’s works, the study analyses the materials and techniques of three fabric types. The findings reveal that the enduring interest in the artist’s work lies in anthropomorphising quality that activates viewers’ senses, fostering a profound connection between the audience and art. The article demonstrates how Abakanowicz skilfully influences viewers’ senses and emotions through material choices, techniques, and personal involvement. Ultimately, it highlights the significance of considering sensory reflection as a crucial aspect of art historical analysis.

Keywords:

Abakanowicz, textile art, multisensuality, haptics

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

References

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Sandra Katarzyna Imko

sandra.imko98@gmail.com
https://orcid.org/0009-0009-9105-4154

Affiliation:

John Paul II Catholic University of Lublin Poland

Bio Statement (e.g., department and rank)

Information about the Author: Sandra Katarzyna Imko is a PhD student at the John Paul II Catholic University of Lublin. Her area of expertise is Polish Textile Art from 1960 to 1990. Prior to pursuing her PhD, she earned a bachelor’s degree in museology and a master’s degree in art history from Cardinal Stefan Wyszyński University in Warsaw. Imko’s research interests lie in exploring the connection between traditionally understood art and textiles, as well as the use of soft materials in modern art.