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    Vol. 17 No. 3 (2026)

    BETWEEN DOCUMENT AND ALGORITHM: CINEMA, FILM, MEDIA

    Imprint (Język Polski)
    Spis treści (Język Polski)
    Table of Contents

    Published: 2026-09-28

    Articles

    From Screen to Page: Feminist Counter-Archives in Mexican Documentary Film and Documentary Writing
    Sandra Bustamante   
    7-35
    DOI: https://doi.org/10.18290/rkult26173.1

    pdf

    Production Studies as a “Site Under Construction”
    Iwona Morozow   
    37-57
    DOI: https://doi.org/10.18290/rkult26173.2

    pdf (Język Polski)

    Between Artistic Creation and Computational Creativity. Selected Filmmaking Practices from the Perspective of Media Robotic Culture
    Łukasz Sarowski   
    59-75
    DOI: https://doi.org/10.18290/rkult26173.3

    pdf (Język Polski)

    Methods of Portraying the Protagonist in a Historical Documentary Film
    Joanna Sosnowska   
    77-101
    DOI: https://doi.org/10.18290/rkult26173.4

    pdf (Język Polski)

    From the Painter’s Hand to the Generative Model: The Proceduralization of Style and Collective Authorship in Dorota Kobiela and Hugh Welchman’s Loving Vincent and The Peasants
    Małgorzata Sławek-Czochra   
    103-136
    DOI: https://doi.org/10.18290/rkult26173.5

    pdf (Język Polski)

    Once upon a Time in… Cinema. Quentin Tarantino and the Symbolic Liberation of Reality
    Przemysław Wiatr   
    137-159
    DOI: https://doi.org/10.18290/rkult26173.6

    pdf (Język Polski)

    The Relationship Between Problematic Smartphone Use, Self-Esteem, and Life Satisfaction in Early Adulthood
    Małgorzata Tatala   
    161-180
    DOI: https://doi.org/10.18290/rkult26173.7

    pdf (Język Polski)


    Roczniki Kulturoznawcze · ISSN 2082-8578 | eISSN 2544-5219 | DOI: 10.18290/rkult

    © Towarzystwo Naukowe KUL & Katolicki Uniwersytet Lubelski Jana Pawła II

    Articles are licensed under a Creative Commons  Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)